Јеан-Францоис Миллет, 1846 - Повлачење из олује - графика

Општи опис наведен на веб локацији музеја (© Цопиригхт - Метрополитан Мусеум оф Арт - ввв.метмусеум.орг)

The impending storm poses a real threat to this woman and her child, whose subsistence depends on the stray sticks of firewood they have gathered. Throughout the 1840s the number of homeless peasants increased dramatically in France, reaching a crisis in the recession of 1847 and contributing to the fall of King Louis-Philippe in the 1848 revolution. Millet's singular image, rivalling Delacroix in its depth of emotion and Daumier in its graphic economy, probably represents Millet’s first treatment of this theme. He reworked the composition in a painting now in the Denver Art Museum.

"Retreat from the Storm„насликао савремени уметник Јеан-Францоис Миллет као своју уметничку копију

Ово уметничко дело направио је Јеан-Францоис Миллет. Оригинална верзија има величину: 18 к 1 ин (4 к 15 цм). Oil on canvas was used by the painter as the technique for the artpiece. Furthermore, this artpiece is included in the The Metropolitan Museum of Art's digital art collection located in Њујорк, Њујорк, Сједињене Америчке Државе. With courtesy of The Metropolitan Museum of Art, New York, Gift of Sarina Tang and Peter M. Wood, 2002 (Јавни домен). Кредитна линија уметничког дела: Gift of Sarina Tang and Peter M. Wood, 2002. In addition to this, the alignment is in portrait format and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Jean-François Millet was a male painter, whose artistic style was primarily Realism. The French artist was born in 1814 и преминуо у доби од 61 у години КСНУМКС.

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