Јохан Тхомас Лундбие, 1846 - Колас Воод. Вејрхøј - ликовни отисак

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Kolås Wood. Vejrhøj је уметничко дело које је створио романтичар дански artist Johan Thomas Lundbye. The work of art is part of the Државни музеј за Кунст (Национална галерија Данске) дигитална колекција. Уз љубазност: Национална галерија Данске (лиценца - јавно власништво).Кредитна линија уметничког дела:. Даље, поравнање дигиталне репродукције је у пејзаж формат са односом страница 4: 3, што значи да дужина је за 33% дужа од ширине. Johan Thomas Lundbye was a painter, whose style can be classified as Romanticism. The Romanticist painter lived for a total of КСНУМКС година - born in 1818 in Kalundborg, Sj?lland, Denmark and died in the year 1848.

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• Штампано акрилно стакло: The acrylic glass print, which is often denoted as a plexiglass print, changes your favorite original artwork into great home decoration and forms a viable alternative option to canvas or dibond prints. The artwork is being printed with state-of-the-art UV direct printing machines. The great upside of an acrylic glass fine art copy is that sharp contrasts plus color details become visible thanks to the granular gradation in the print. Our plexiglass with real glass coating protects your chosen fine art print against sunlight and external influences for up to 60 years.
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Правна напомена: We try our utmost to describe our art products with as many details as possible and to exhibit them visually in our shop. Please keep in mind that some pigments of the print materials, as well as the print result can vary slightly from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version depicted here. Because the art reproductions are printed and processed by hand, there might also be slight deviations in the size and exact position of the motif.

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”I do not find lonely places in nature sad, but am drawn to the grandeur and calm of such sites”, said J.Th. Lundbye in his diary in 1844.

Lundbye was a votary of isolation as something conducive to the study’s union of the love of nature and the artistic spirit.

In this case the signature tells us that the study was created on Vejrhøj, a landmark within the artist’s autobiographical landscape: His grandparents lived in the nearby town of Kalundborg, where he himself was born, and the place became a recurring motif in his pictures.

The study testifies to the close relationship between art and artist, for the painter very emphatically left evidence of his work in the picture, e.g. in the luminous tree trunks that have been outlined with traces of thick, glossy paint.

In Lundbye’s work, withdrawal into a state that emphasised the individual and self-elected loneliness was partly prompted by the philosopher Søren Kierkegaard (1813-1855), whose writings had begun to have considerable impact on his mindset around the time this study was created. Kierkegaard evinced a similar interested in a radically individual state of perception, and as far back as 1843 Lundbye became familiar with Kierkegaard’s Either/Or, which was published under the pseudonym Victor Eremita (the Victorious Hermit).