Бартоломе Естебан Мурилло, 1665 - Дон Андрес де Андраде и Цал - графика

Спецификације уметничких производа

This 17th century painting was painted by the мушки сликар Бартоломе Естебан Муриљо у години 1665. Изнад 350 годишњи оригинал направљен је са димензијама: 79 к 47 ин (200,7 к 119,4 цм) и израђен је са техника уље на платну. Furthermore, this piece of art belongs to the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, by exchange, 1927 (licensed: public domain). Creditline of the artwork: Bequest of Collis P. Huntington, by exchange, 1927. Moreover, alignment of the digital reproduction is портрет и има однос слике од 9 : 16, што подразумева да дужина је за 45% краћа од ширине.

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• Штампа плаката (материјал на платну): Artprinta poster print is a UV printed canvas paper with a slightly rough surface structure. The print poster is best suited for framing your art copy with a custom frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with a custom frame.
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Важна правна напомена: We try everything in order to describe the products in as much detail as possible and to exhibit them visually on the different product detail pages. However, the tone of the printing material and the imprint may differ marginally from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments can be printed 100% realistically. Since all fine art prints are processed and printed by hand, there may also be slight differences in the size and exact position of the motif.

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Структурирани детаљи уметничког дела

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This painting testifies to Murillo’s ability to give his portraits a quality of psychological presence. Don Andrés de Andrade y la Cal was pertiguero, or marshal of processions in the cathedral of Seville. Murillo adopted a formula used by both Titian and Velázquez in their portraits of Spanish royalty; his sitter is dressed in black and rests his right hand on his mastiff. The setting is a classical portico with the sitter’s family coat of arms on the pier at left.